Saturday, April 16, 2011

End with Unease

This week I read a short story from my new book The Dark called An Amicable Divorce by Daniel Abraham. It was a story about a man named Ian who divorced from his wife after the untimely death of his son. The death of their son weighed heavily on the mind of his wife, Claire, who, even though it is never quite explained how, was responsible for his death. Throughout the story it is revealed that Claire leans heavily on Ian for support and comfort, even though she does not want him in her life anymore and knows that Ian still pines for her. At one point, Clair is frightened by a horrific mess of blood in her kitchen and calls Ian over to investigate. Even though he has ill feelings about it he allows himself to go and gets seduced into sleeping with her. Ian takes this as reconciliation and the next day tries to get back together with his wife and reclaim the happiness they once had. Claire informs him that that is impossible, that their son will never forgive her for what she did, and that sleeping with him the night before had been a mistake. Ian falls apart after this. He begins to get sick and starts having horrific nightmares about the dead body of his son seeking revenge. His life seems to be falling apart at the seams. A few nights later Claire calls Ian in the middle of the night telling him there is something in her house, expecting him to come over and save her. He hears the cries of something inhuman on the other end and contemplates going to save her before remembering how she had abandoned their marriage and left him to fend on his own. He tells her never to call him again, leaving her to her fate at the hands of their vengeful son. He slicks his hair back, calls a friend to go out for some drinks and begins a new life. 

This is a story of vengeance, mistakes, and horror that left me with a strange sense of unease by the time I had finished it. The main character, Ian, is extremely easy to sympathize with. It is clear to see early on that loosing his family troubles him, and that his main focus is regaining what he has lost with his wife. He believes that she will come back to him someday, but she never does. She uses him to comfort her hurt feelings and then tosses him aside. This aids in giving the story a great sense of justice as well as a sense of unease. Because of the foreshadowing in Ian’s dreams, I knew that at the end of the story the cries and wails on the other end of the phone was their son coming to seek revenge on his mother. Ian knows this, and yet he doesn’t care. Claire abandoned him when he needed her and played with his heart, so he cuts ties with her and leaves her to her bloody demise. I knew that as soon as Ian hangs up the phone that the ghost of their dead son was ripping Claire to shreds. I was caught between two emotions: justice and unease. I knew that Clair had no one to blame but herself. She relied on Ian and never gave anything in return, then finally ripped out any hope he had of getting his old life back. She destroyed his life, so he wanted nothing to do with saving hers. I knew all this, and even so imagining what the ghost was doing to her after Ian hung up the phone was so horrifying I wished that he would go and rescue her. I recalled the mess in the kitchen, how horrifying that description was, and realize that that was merely foreshadowing the horror that would be done unto Claire. Even though Claire's death is completely of her own doing and in a way, justice for what she did to Ian, I was left with a sense of unease because of how I imagined how their dead son is killing her at the very moment.

I learned something very important from this story: that horror stories, no matter how short, leave the reader with a sense of unease and that unease in never resolved. The best horror can hold that unease all throughout the story and stay with a person after the story is done. I know I will never forget the shock I felt when this story was over, the certainty that he was going to save her but refused, the horrific images of what the ghost was doing to her, the knowledge that this could all have been prevented if Claire had just done what was right.

This sense of shock is what I will be trying to capture in my story. It will be difficult but I am up for the challenge!

Tuesday, April 12, 2011

Types of Horror

         Slasher horror

Stalker horror

Thriller/Action-Adventure horror

Psychological horror/Suspense

Paranormal horror

Torture horror

Exploitation horror

Splatter horror

Science Fiction

Creature horror

Vampire horror

Sunday, April 3, 2011

History of Horror

Here is a brief history of the horror genre to help help readers better understand the origins of this genre.

History of Horror

Sunday, March 27, 2011

Vomit Enducing Literature


Okay, so a friend told me that the book 120 Days of Sodom would be a great book to read if I was looking for a horror novel that focuses on torture. "OH!" I thought, "What a grand idea!! Just what I need for my project!! I shall give it a look!!"

........big mistake.

What I got from reading this book was a prime example of literature that can literally make me sick to my stomach.

Now let me reiterate: I LOVE BEING SCARED. I love suspense and terror and zombies and ghosts and all the gore that comes along with it. I have watched gruesome horror movies—filled with everything from fingernail ripping to skinning alive. I have sat through all the Saw films and countless zombie movies with scarcely a bit of damage to my psyche. I have read a ton of Stephen King books and have watched all the films based on those books without feeling the least bit queasy.

I could not get past the first three chapters of this book without quite literally wanting to vomit. 

120 Days of Sodom was the most disgusting, horrible thing I have ever experienced. After reading a mere few chapters of this monstrosity, I needed a few cups of tea, a warm shower, and a long walk just to wash away my disgust. And when I tried to pick the book up again, I found that I couldn’t.
120 Days of Sodom is a novel by the French writer and nobleman Donatien Alphonse François, Marquis de Sade (The man who literally put the "Sade" in "sadism". No kidding. The word was created to describe the acts committed in this book), written in 1785. It tells the story of four wealthy male libertines who resolve to experience the ultimate sexual gratification in orgies. To do this, they seal themselves away for four months in an inaccessible castle with a harem of 46 victims, mostly young male and female teenagers, and engage four women brothel keepers to tell the stories of their lives and adventures. The women's narratives form an inspiration for the sexual abuse and torture of the victims, which gradually mounts in intensity and ends in their slaughter.

What I have learned from this book are the most disgustingly gruesome acts one could ever commit on another human being, written in a simple, matter of fact format that scares me even more than the acts committed. The fact that someone could write these kinds of things and present them in the same way they would recite the recipe for his mother’s bests crème brulee is truly disturbing and a glance into the minds of the clinically insane.

I will probably be taking that matter of fact approach when it comes to the main villainess describing her tortures, but that’s about it. I do not plan on using sexual torture at all in my story (for I find it ultimately grotesque) and my descriptions will not be as brutal.

So if you want to read the most disgusting book in known history, read 120 Days of Sodom. If  have less than an iron stomach, I’d stick to King and Koontz for your horror fix.

 READ AT YOUR OWN RISK!!  ---> Click to read 120 Days of Sodom

Wednesday, March 23, 2011

What I'm reading this week

The Conqueror Worm

By Edgar Allen Poe

Lo! 'tis a gala night
         Within the lonesome latter years!
       An angel throng, bewinged, bedight
         In veils, and drowned in tears,
       Sit in a theatre, to see
         A play of hopes and fears,
       While the orchestra breathes fitfully
         The music of the spheres.

       Mimes, in the form of God on high,
         Mutter and mumble low,
       And hither and thither fly-
         Mere puppets they, who come and go
       At bidding of vast formless things
         That shift the scenery to and fro,
       Flapping from out their Condor wings
         Invisible Woe!

       That motley drama- oh, be sure
         It shall not be forgot!
       With its Phantom chased for evermore,
         By a crowd that seize it not,
       Through a circle that ever returneth in
         To the self-same spot,
       And much of Madness, and more of Sin,
         And Horror the soul of the plot.

       But see, amid the mimic rout
         A crawling shape intrude!
       A blood-red thing that writhes from out
         The scenic solitude!
       It writhes!- it writhes!- with mortal pangs
         The mimes become its food,
       And seraphs sob at vermin fangs
         In human gore imbued.

       Out- out are the lights- out all!
         And, over each quivering form,
       The curtain, a funeral pall,
         Comes down with the rush of a storm,
       While the angels, all pallid and wan,
         Uprising, unveiling, affirm
       That the play is the tragedy, "Man,"
         And its hero the Conqueror Worm.
(source)

Sunday, March 13, 2011

My Setting

My pictures for setting reference. 

The Castle (???)




The Prison inhabited by a spirit of the castle. The prisons is where the main charater first experiences a truely terrifying ghost. 


The Torture Chamber





The Dark Hallway




The Entrance







(All images acquired by google.)

Wednesday, March 2, 2011

Horror fiction is a genre of literature, which is intended to, or has the capacity to frighten its readers, inducing feelings of horror and terror. Horror can be either supernatural or non-supernatural. The genre has ancient origins which were reformulated in the eighteenth century as Gothic horror, with publication of the Castle of Otranto (1764) by Horace Walpole.

Synopsis:

The Castle of Otranto tells the story of Manfred, lord of the castle, and his family. The book begins on the wedding-day of his sickly son Conrad and princess Isabella. Shortly before the wedding, however, Conrad is crushed to death by a gigantic helmet that falls on him from above. This inexplicable event is particularly ominous in light of an ancient prophecy "That the castle and lordship of Otranto should pass from the present family, whenever the real owner should be grown too large to inhabit it." Manfred, terrified that Conrad's death signals the beginning of the end for his line, resolves to avert destruction by marrying Isabella himself while divorcing his current wife Hippolita, who he feels has failed to bear him a proper heir. However, as Manfred attempts to marry Isabella, she escapes to a church with the aid of a peasant named Theodore where Manfred cannot touch her. Manfred orders Theodore's death while talking to the Friar Jerome, who ensured Isabella's safety in the church. When Theodore removes his shirt to be killed, Jerome recognizes a marking below his shoulder and identifies Theodore as his own son. Jerome begs for his son's life, but Manfred says that Jerome must either give up the princess or his son's life. They are interrupted by a trumpet and the entrance of knights from another kingdom who want to deliver Isabella. This leads the knights and Manfred to race to find Isabella first. Theodore, having been locked in a tower by Manfred, is freed by Manfred's daughter Matilda. He races to the underground church and finds Isabella. He hides her in a cave and blocks it to protect her from Manfred and ends up fighting one of the mysterious knights. Theodore badly wounds the knight, who turns out to be Isabella's father, Frederic. With that, they all go up to the castle to work things out. Frederic falls in love with Matilda and he and Manfred begin to make a deal about marrying each other's daughters. Manfred, suspecting that Isabella is meeting Theodore in a tryst in the church, takes a knife into the church, where in fact, Matilda is meeting Theodore. Thinking his own daughter is Isabella, he stabs her. Theodore is then revealed to be the true prince of Otranto and Matilda dies, leaving Manfred to repent. Theodore becomes king and eventually marries Isabella because she is the only one who can understand his true sorrow. source

 
Focuses on the villain, his horrible actions, and the punishment for his crimes.

Villain is doing horrible things for his own self-gain.

A supernatural curse that decides the horrific fate of the main character

Takes place in a medieval castle, involves royalty

Involves a horrifying chase with prospect of death and doom

They describe the prince’s death as him being “dashed to pieces” which is a very violent and graphic image to place upon the mind. To any reader the prospect of this image would be terrifying and gruesome, even without a vivid description. I will be using horrifying scenes like this to frighten the reader in my story, as well as the dark and brooding setting to create a threatening atmosphere.

Tuesday, February 22, 2011

The Best Type of Horror Fucks with Your Mind

I have learned that there are three main types of horror, and as my favorite internet reviewer Yahtzee stated so cleverly on his show Zero Punctuation, there's:

1) the kind where you're in a dark room and a guy in a spooky mask jumps out of a cupboard and going abloogy woogy woo

2) the kind where the guy in the mask isn't in the spooky cupboard but you know he's right behind you and he's going to go abloogy woogy woo at some point but he doesn't, and your getting more and more tense but you don't want to turn around cause you know that he might stick his cock in your eye

3) and then there's are the kind where a guy in a spooky mask goes abloogy woogy woo while standing on the far side of a brightly lit room before waking slowly over to you plucking a violin and then slapping you in the face with a tea-bone steak.

He says that number two is best because your brain is doing most of the work, and I wholeheartedly agree. When I watch or read anything horror the monster that I imagine is waiting for me in the dark corner is much more terrifying than something that stands right in my face and screams bloody murder trying to get a rise out of me.

The first time I watched the movie Paranormal Activity I couldn't sleep normally for months because I was absolutely terrified t go to bed. This movie consisted of a demon you couldn't see and two people being terrified out of their minds while lying in the comfort of their own beds. I would lie awake in my bed at night just thinking "what if that creaking I heard was the demon!" or "what if it yanks my covers off and pulls me down the hall by my foot!" I hadn't been so scared to go to bed since I was little and was afraid there were monsters under my bed. It was then that I realized, the reason I was so scared of Paranormal Activity was because it gave me the terrifying feeling I had when my mom turned off the light and set me to bed. It was fear of the unknown. The void darkness was absolutely terrifying, the horrible things I imagined were waiting to nom on my head the second I left the safely of my covers was paralyzing. And that's what i felt with this movie, only the movie took away the comforting idea that my covers were an indestructible force-field that could protect me from the nasty monsters. This is an example of successful horror that gets in your head and messes with you, staying with you long after you turn off the t.v. of put down a book. True horror can get in your mind and make you want to wash your brain of everything you just experienced before your paranoia comes back to bite you in the butt again.

In conclusion: horror that utilizes imagination for the fear factor is most effective.

Wednesday, February 16, 2011

Lessons from Poe

Edgar Allen Poe's The Masque of the Red Death is truly a masterpiece of classic horror. I learned a lot from this short story about language in horror writing, the value of foreboding terror, and the importance of atmosphere.

Poe uses a combination of words in The Masque of the Red Death to signal to his audience that they are reading a horror story. He does this from the very first lines of the story, where he instills terror in the reader by describing the symptoms of The Red Death in horrific detail. The passage reads,

"No pestilence has ever been so fatal, or so hideous. Blood was its Avatar and its seal--the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim..." (Poe, 17)

Poe's uses words like "fatal", "hideous", "blood", and "scarlet stains"to paint a very gruesome picture. These words triggers a reaction from the reader and lets the reader know exactly what kind of story they are reading. By using frightening words in his description of The Red Death, Poe creates from the very start of his story, a sense of the foreboding terror that awaits.

The Masque of the Red Death


Poe, Edgar Allen. "The Masque of the Red Death." The Short Story: 30 Masterpieces. Ed. Beverly      Lawn. N.p.: n.p., n.d. N. pag. Print. Excerpt from The Short Story: 30 Masterpieces. New York: St. Martin's Press , 1992. 17-22.

Reasearch into Torture Devices... Yick...

I never realized how difficult reasearching my genre could be until I read this list of Top 12 (which actually includes 24) Most Gruesome Torture Devices in History. This list describes the function of these torture devices and needless to say I was sick to my stomach by the time I had finished reading. All for the sake of art right?

Top 12 Most Gruesome Torture Devices

Sunday, February 6, 2011

Inspiration

For the horror aspect of my story I have been greatly inspired by the PC game Amnesia the Dark Descent. It is a physiological horror game revolving around the supernatural, torture, and a horrifying, Gothic atmosphere. The story of this game is what horrified me the most when I played it, so much so that I had to watch people playing it online just so I could enjoy the wonderfully gory story to the end. It's truly a masterpiece in horror, and has taught me the high value of atmosphere and how the mere prospect of something horrifying can scare a person much more than a monster jumping out at you. It's all about getting into your audiences mind and messing with them, if you can do that even just a little bit, you have successfully frightened them.

The torture devices used in this game are common torture devices used in medieval times. I find just the mention of their names to trigger a level of fear in me. Unfortunately the video below, only contains a few scenes including the numerous amount of torture devices in this game, but I am planning to do more research on all the torture devices for my own story.

This video highlights some of the scarier parts of the game. Some scenes are a little fuzzy, but they are short. Most of the horror is implied through atmosphere, sound, pictures, and text descriptions, meaning there is only one scene of actual torture and it's not that graphic. Still if you are easily frightened I suggest not watching this video.

Some scary scenes from Amnesia the Dark Descent

This video actually shows the monsters and exemplifies the tension that I am going to try to capture.
Searching around and scary monsters

Thursday, February 3, 2011

Characteristics of the Gothic Horror Genre

I found that this article had many useful facts that will help me in my writing. I've realized with a little help from my teacher that the story I want to write revolves around a Gothic horror/Victorian setting, so this list of characteristics will help me get started.

Link to article.